Admittedly, the interactions with her elderly coworkers are humorous, as is her relationship with her husband. In real life, Pressler’s career was not on the line she’d found great success with another article - one that would inspire 2019’s “Hustlers,” starring Jennifer Lopez.Īlthough she exhibits courage in the workplace, Kent is unethical, convincing Sorokin not to take her plea bargain so that she would have more time for her piece.
Fighting for redemption after accidentally writing an untruthful story, Kent goes all out in pursuit of interviews with Sorokin and her friends. Kent is a fictionalized version of Jessica Pressler, the journalist that originally thrust Sorokin in the spotlight with an article in New York Magazine.
#Shonda rhimes anna delvey trial#
The show stars Anna Chlumsky as Vivian Kent, a reporter chasing down the story of Sorokin as her trial unfolds. However, Sorokin still got paid as a consultant for the series. The money was instead used to compensate those defrauded by Sorokin. Created in 1977, the law prevents criminals from profiting off the publicity of their crime. Netflix paid Sorokin $320,000 to secure the rights to her story, but in 2019, the New York Attorney General’s Office invoked the Son of Sam law to sue Sorokin. Pretending to be Anna Delvey, an esteemed German heiress, Sorokin lived lavishly among New York elites, defrauding banks, hotels and even friends she acquired along the way. “Inventing Anna” is inspired by the true story of Anna Sorokin, who was arrested in 2017 after a four-year scamming spree. Yet, whether it deserves its spot or not is up to debate. 11, Shonda Rhimes’ “Inventing Anna” has propelled to the top of Netflix’s Top 10 list in the U.S. Who she is is up to the audience, and the only way to truly judge her is to do exactly what she wants –– by watching an actor play her on television.A post shared by Inventing Anna its release on Feb. Four years later, Shonda Rhimes’s miniseries is blissfully aware of the fact that her audience is playing right into Delvey’s scheming hand, soaking up every last bit of recognition and acknowledgement she can.ĭelvey is not a hero or a villain, neither a robber baron nor a Robin Hood. Subsequently, Netflix paid Sorokin $320,000 for the rights to her story. Jessica Pressler, the real-life journalist upon whom Vivian Kent is based, wrote a 2018 article in New York Magazine about Anna Sorokin. In almost every portrayal of fraudsters, the filmmakers omit the most critical component of what allowed them to succeed and, ultimately, made them famous: the storytelling.
They do, though, have a story –– a story worth telling, a story people want to hear. Sitting in a room on Riker’s Island, neither Vivian Kent nor Anna Sorokin are in much of a position to do anything.
With unsupportive superiors and an uncooperative subject, Kent promises Delvey the platform she truly desires, and a chance for both women to redeem themselves in the public eye emerges. With a career already in shambles and a baby on the way, the journalist risks her job in pursuit of a potentially groundbreaking American crime story. Vivian Kent, a writer for a fictional Manhattan magazine, comes across the story of Anna Delvey, who has recently been arrested and is facing several charges of fraud and larceny. In a compelling change of pace, Shonda Rhimes chose to put the focus of a fraud story on that of the people who told it, as opposed to those who conducted it.
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